In The Fugue

A short playful piece based on motives from In the Mood and Chattanooga Choo Choo

Take #1503 on a piano

When Glenn Miller’s swingy In the Mood meets Bach’s counterpoint, magic happens.

Written as an almost double fugue with all sorts of delicate techniques:

• parallel tritones,
• weird modulations,
• deformed themes,
• inadequate inversions,
• wrong sequences,
• too short expositions etc.

Score

In PDF.

And with highlighted voices.